Wednesday, 10 February 2010



February 2010
For immediate release


This image shows the admission queue on the Parsonage museum's opening day in 1928. The museum is hoping for similar scenes when it opens it's doors free of charge for locals on Saturday 20 February. The museum has recently completed a project with support from the Heritage Lottery Fund to improve the presentation of the historic rooms of the Parsonage. To celebrate, admission to the museum will be free to local residents of BD20, 21 & 22 on Saturday 20 February . Locals are asked to bring a utility bill or other official proof of address to gain admission.

The museum recently reopening following a major programme of work to improve its displays, which include a number of rare and important new acquisitions and items never previously displayed. Amongst these are items as diverse as Emily Brontë’s artist's box, purchased at Sothebys in December, and a pair of Charlotte Brontë’s stockings.

The museum is keen for local people to come along and see the changes made, since many contributed ideas to the development project through a visitor survey and a series of open evenings last year. The museum is open 11.00am to 5.00pm (last admission is 4.30pm).

We hope that people in and around Haworth will come and see the work that’s been done, which we feel has greatly improved the museum. There are some wonderful items on display this year, including things donated by local people, and these give an insight not only into the lives of the Brontës, but also life generally in nineteenth-century Haworth.

Andrew McCarthy
Director, Brontë Parsonage Museum

Heritage Lottery Fund

2009 saw HLF celebrate its 15th anniversary. Using money raised through the National Lottery, the Heritage Lottery Fund (HLF) sustains and transforms a wide range of heritage for present and future generations to take part in, learn from and enjoy. From museums, parks and historic places to archaeology, natural environment and cultural traditions, we invest in every part of our diverse heritage. HLF has supported 33,900 projects, allocating £4.4billion across the UK, including £341million to projects in Yorkshire and the Humber alone.



Finally, after a very hectic month, hampered by the appalling weather in early January and with many surprizes and mishaps along the way, the redevelopment work at the museum is complete. There's new interpretation to improve the information available for visitors, beautiful new cases fashioned from English oak with new displays and new object labelling, and improvements to the decoration of the house too. The work has hugely improved the way in which the museum's remarkable collection is displayed and there is more of that collection now available for visitors to enjoy, including various new acquisitions; a tiny Charlotte Brontë poetry manuscript and Emily Brontë's artist's box purchased at Christies and Sothebys respectively, in December. There are also several items acquired through our Brontëana surgery detailed in a previous posting and items never previously exhibited at the museum, including a pair of Charlotte Brontë's stockings! The museum's thanks go to everyone who has supported the project including the Heritage Lottery Fund, the Idlewild Trust, the Charlotte Bonham Carter Charitable Trust and the Yorkshire and Clydesdale Bank Foundation, as well as people in and around Haworth who supported the programme of community events.

Tuesday, 19 January 2010


After several months of planning, work is finally underway at the Parsonage. Following our public consultation events we worked hard with Redman Design to develop plans for the changes to be made. These will include new interpretation through the historic rooms of the Parsonage to help tell the Brontë story more effectively to our visitors, new object cases, displays and labelling, as well as various other decorative changes such as new floorcoverings and window blinds to enhance the domestic feel of the museum. It's been a hectic week with all of the museum's displays needing to be removed and existing interpretation panels, floorcoverings and cases stripped out, as well as electrical work which will allow for new cases to be lit. Most of the work is still to be done however; decorations need to be made good, floorcoverings need laying, new stanchions and interpretation panels must be installed, followed by our new object cases; this will be followed by work on preparing object mounts and installing our new displays which we're delighted will include some objects which have come into the museum's collection following our Brontëana Surgery and which will help us to tell visitors a little more about the history of Haworth itself and the social context in which the Brontës lived. We're on target for all the work to be completed by the end of January, ready for re-opening on 1 February.


Would you be interested in finding out more about the Brontë Parsonage Museum and its remarkable collection? … discovering what goes on behind the scenes at the museum? … learning new skills and meeting visitors from around the world?

If you have some free time you may want to consider becoming a Volunteer steward at the Brontë Parsonage Museum.

The museum will be launching a new volunteer programme shortly and is looking for volunteers to work hours during the day, Monday to Friday. As well as offering enjoyable, interesting and useful experience, volunteers will also receive various benefits including training and free admission to Brontë Society events.

If you would like to find out more about volunteering at the museum please contact Sonia Boocock
01535 640192

Friday, 8 January 2010


An important part of the re-thinking our displays and interpretation at the Parsonage is to enhance the experience of our younger visitors. As well as the place where the Brontë sisters wrote their wonderful novels and poetry, the Parsonage is also of course, where they spent their childhoods and grew up. As a place simply to learn about children's home life in the past, and this remarkable family in particular, we know that children visiting today find much that they can relate to and enjoy. However, although much work was done last year to develop very popular interactives in the exhibition spaces, we are aware that the information in the Parsonage itself and the way it's presented is not as accessible as it could be to children, especially younger ones.
So to find out how best to improve what we offer children at the Parsonage, we thought we'd consult the experts - the children themselves!

Over two days in the autumn term of 2009, we worked with fifteen children from Haworth Primary School. All the children were from year 5 (age 9-10) and of mixed ability, and all contributed to the discussions and activities with great enthusiasm. We began by discussing what their favourite museums were, and what they liked best about them. We then explored the Parsonage with a questionnaire to discover their ideas about the rooms as they are now; what they'd like to discover more about, and how we might make the information more exciting; afterwards, we then came back together for a brainstorming session.

The children's initial responses were varied:

"I want to read Emily's diary paper but the writing's to small - can you write it out again at the side?"
"You should have somebody dressed up to pretend to be a Bronte!"
"I'd like to know more about the books on the shelves"
"I like the fire in the kitchen, it would be good if you could cook on it!"

It was clear though, that many of the children understood already some of the constraints we have here; a carriage which takes you back in time and round the museum to see life size models going about their business, might work brilliantly at the Jorvik Viking Centre, but might cause a few problems here at the Parsonage! The children also realised that some of the very hi-tec interactives they enjoy at other museums might not work here; not only due to lack of space, but because they just 'wouldn't look right' in the Parsonage.

So with a more realistic idea of what we might do, we set about trying to come up with some ideas. We did some research into the Brontës first; about their lives and what made them so unusual (as well as so incredibly famous), to give the children some background to work with and maybe some inspiration. We explored what the different rooms in the Parsonage might have meant to the Brontës as children and what kind of 'feel' the rooms might have had, as well as the different sights, sounds and smells. We got some really interesting and sometimes unexpected feedback from the children about this. For example, whilst I was expecting most of the comparisons the children would make with their own lives would have been unfavourable, (what - no telly??) that wasn't always the case. One little girl remarked 'I think it would have been nice and peaceful, chatting to each other, and no fights over the remote control!'

To explore these ideas further we invited a local poet, Charlotte March, to help the children get their thoughts down on paper in an imaginative way. A very lively afternoon followed, and some interesting pieces of writing. The other main strand of ideas we pursued was the children's interest in the actual objects in the rooms, and we thought about different ways we could present information about them. The children were very clear all along about not wanting to just have lots of text to read:

"It should be colourful"
"It would be good to have pictures or cartoons"
"Something we could touch"

After discussing lots of ideas that might be possible (and not just exciting!) we came up with the idea of having a picture of a 'mystery' object in the room on a kind of flap which you lift, to reveal an interesting and unexpected piece of information. Much as we also liked the idea of looking at the rooms more from the point of view of the Brontës' experiences there as children, this is the idea we decided to develop in the end; largely because of the issue of space and the necessity of keeping whatever we do very simple. The objects which will be in the final interpretation will all be ones the children identified as being particularly interesting to them.
We are hoping to install this new interpretation in the Parsonage in the early part of this year.
My thanks to Haworth primary school and particularly the children involved in the project and the teaching assistant and Mum who accompanied the children!

Susan Newby
Education Officer, Brontë Parsonage Museum

Friday, 27 November 2009


Back in October the Brontë Parsonage Museum issued an invitation to anyone who thought they might own artefacts relating to the Brontës or historic Haworth to come to our ‘Brontëana surgery’ and find out more about them. The museum was keen to encourage local people to use the museum’s resources to find out more about items in their possession, and was offering free, expert advice on such material to people living in and around Haworth as part of thie Heritage Lottery funded project.

As a result, there have been all sorts of discoveries as local people came forward with their treasures. Several items are currently being investigated, including a jam pan which is believed to have been included in the sale which took place in Haworth after Patrick Brontë’s death in 1861. The museum has been able to compile a record of Brontë-related material in private hands, including an 1834 Haworth rate book, a wonderful collection of Haworth church hymn sheets dating from the Brontë period and six books believed to have belonged to the Brontës, which were given to their servant, Martha Brown (see photo). Three bound volumes of the Family Economist which belonged to Martha’s sister, Tabitha, who also assisted with domestic work at the Parsonage, were kindly donated to the museum and will go on display at the Parsonage next year.

In February 2010 we are planning to include new displays at the Parsonage which will focus on the Haworth community in which the Brontës’ lived, and it is hoped that some of this newly-discovered material can be included. We would like to thank everyone who got in touch and to reiterate that people are still welcome to contact the museum to take part in the Brontëana surgery.

Ann Dinsdale, Collections Manager, Brontë Parsonage Museum

Monday, 5 October 2009

Final Feedback From Local Residents

On the 23rd and the 29th of September, the Parsonage hosted the two final evenining events for residents of Haworth, designed to gather feedback and ideas about forthcoming changes to the museum. As before, the evenings were a great success and generated some really interesting discussions, particularly about some of the Parsonage's more controversial exhibitions! Everyone seemed to find the evening rewarding, and it was certainly useful for us in contributing to our understanding of what visitors, and in particular local people, would really like to see more of in the Parsonage.
We have been very pleased with the take up for these events and we'd like to take this opportunity to say a final thanks to everyone who attended and gave us their time and enthusiasm. We apologise though to anyone who was on our reserved list and didn't get an opportunity to attend.

Here are some of the comments and ideas we recieved.

"There's a real feeling of the Bronte's living here, not a cold, museum feel."
Pamela Young
"Liked the costumes from 'Wuthering Heights'; could replicas be made as a permanent feature when these are returned?" Alexandra Vardeaux
"There are persistent efforts to display original or very good quasi original artefacts connected with the family."
Jens Hislop
"I think the curate's study should be left as a period room and the servants room used to display artefacts of the local area. More details of the lives of ordinary people in the village would be interesting."
Margaret Smith
"I like the fact it is kept like a time capsule, you could almost imagine the Brontes still being in residence."
Claire Leary
"I don't like to see the inclusion of contemporary photos in the rooms; I like to see as many as possible of authentic artefacts.
It was fascinating to visit the library and have the talk by Anne Dinsdale and see some of the collection of papers in greater detail."
Linda Dickson